"Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden (Arr. for Piano)" by Johann Sebastian Bach, Khatia Buniatishvili was released on May 19, 2014. With this song being about 5 minutes long, at 4:50, "Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden (Arr. for Piano)" by Johann Sebastian Bach, Khatia Buniatishvili is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Khatia Buniatishvili's "Motherland" album is number 1 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden (Arr. for Piano) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden (Arr. for Piano) by Johann Sebastian Bach, Khatia Buniatishvili to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
The Seasons, Op. 37a: VI. June - Barcarolle | Pyotr Ilyich Tchaikovsky, Lang Lang | G Minor | 0 | 6A | 64 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Simone Dinnerstein, José Antonio Méndez Padrón | F Major | 0 | 7B | 182 BPM | ||
Massenet: Thaïs, Act 2: Méditation | Jules Massenet, Min Kym | D Major | 1 | 10B | 95 BPM | ||
Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Khatia Buniatishvili | D♭ Major | 0 | 3B | 70 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM |
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