"Birdsong Used in Messiaen's Organ Music: European Birds: Turdus merula (Blackbird)" by Olivier Messiaen was released on February 28, 1992. With Birdsong Used in Messiaen's Organ Music: European Birds: Turdus merula (Blackbird) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Olivier Messiaen's "Messiaen: Complete Organ Music, Vol. 6" album is number 8 out of 44. Based on our statistics, Birdsong Used in Messiaen's Organ Music: European Birds: Turdus merula (Blackbird)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Birdsong Used in Messiaen's Organ Music: European Birds: Turdus merula (Blackbird) by Olivier Messiaen to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Des Canyons aux étoiles..., I/51: Pt. 2, VI. Appel interstellaire | Olivier Messiaen, Seattle Symphony Orchestra, Ludovic Morlot, Steven Osborne, Jeffrey Fair, Matthew Decker, Michael Werner | A Major | 1 | 11B | 78 BPM | ||
Sonata and Interludes for Prepared Piano: Sonata V | John Cage, Joanna MacGregor | G Minor | 2 | 6A | 126 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Let Me Tell You, Pt. III: I Know You Are There | Hans Abrahamsen, Barbara Hannigan, Andris Nelsons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 69 BPM | ||
Saint Francois D'Assise / Deuxième Acte: L'Ange se prépare à jouer de la viole... | Olivier Messiaen, Hallé, Kent Nagano, Arnold Schoenberg Chor, Erwin Ortner, Jeanne Loriod | G Major | 0 | 9B | 147 BPM | ||
Respighi: Trittico botticelliano: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 3. Finale (Allegro molto) | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | F♯ Minor | 0 | 11A | 84 BPM | ||
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
100 Transcendental Studies: No. 18: Liscio. Tranquillamente scorrevole | Kaikhosru Sorabji, Fredrik Ullén | E Minor | 1 | 9A | 142 BPM | ||
Messiaen : Vingt regards sur l'enfant Jésus : I Regard du Père | Olivier Messiaen, Pierre-Laurent Aimard | D♭ Major | 0 | 3B | 77 BPM |
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