"Faust: Faust - Romance" by Charles Gounod, Yoshikazu Mera, Japan Philharmonic Orchestra, Shiego Genda was released on September 30, 1998. The duration of Faust: Faust - Romance is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Faust: Faust - Romance's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Yoshikazu Mera's "Mendelssohn / Handel / Bach, J.S. / Strauss, R.: Songs for Counter-Tenor and Orchestra" album is number 6 out of 13. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Faust: Faust - Romance is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Faust: Faust - Romance by Charles Gounod, Yoshikazu Mera, Japan Philharmonic Orchestra, Shiego Genda to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
Vespers, Op. 37: Nunc dimittis | Sergei Rachmaninoff, Franck Krawczyk, Sinfonia Varsovia | E♭ Minor | 0 | 2A | 84 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
Faust, Act II: Nous nous retrouverons | Charles Gounod, Boris Christoff, André Cluytens, Orchestre du Théâtre National de l'Opéra de Paris | F Major | 1 | 7B | 95 BPM | ||
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 0 | 10B | 94 BPM | ||
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM | ||
Roméo et Juliette, Act II: Ah, je veux vivre dans ce reve | Charles Gounod, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | B♭ Major | 1 | 6B | 103 BPM | ||
Sicilienne, Op. 78 (arr. for flute and harp) | Donald Sosin, Gabriel Fauré, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 153 BPM |
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