Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin made "Pars III In A Minor: I. Gagliarda (Biber)" available on March 21, 2006. With Pars III In A Minor: I. Gagliarda (Biber) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Masques, Olivier Fortin's "Mensa Sonora - Biber And His Contemporaries" album is number 14 out of 29. Pars III In A Minor: I. Gagliarda (Biber) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pars III In A Minor: I. Gagliarda (Biber) by Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VI. Allmandt | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 79 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: III. Adagio | Nicola Porpora, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Pergolesi: Sinfonia a tre in F Major: I. Comodo | Giovanni Battista Pergolesi, Il Seminario Musicale | E♭ Major | 0 | 5B | 89 BPM | ||
Flute Sonata in E Minor, Op. 3, No. 3: III. Minuet | Giovanni Benedetto Platti, Bernhard Bohm, Rainer Zipperling, Glen Wilson | E♭ Major | 0 | 5B | 123 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM | ||
Mensa sonora / PARS II (In F Major): 4. Balletto. Alla breve (II) | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | B Minor | 1 | 10A | 106 BPM | ||
Concerto in F Major, S. 235: II. Andante | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 118 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
Concerto grosso in B-Flat Major, Op. 6, No. 7 HWV 325: I. Largo | George Frideric Handel, The English Concert, Trevor Pinnock, Simon Standage, Elizabeth Wilcock | B Minor | 2 | 10A | 121 BPM | ||
"Concerto Funebre" con hautbois sordini e salmoè, violino principale e viole da gamba (Si Bem. Maggiore, RV 579): III. Allegro | Antonio Vivaldi, Jordi Savall, Alfredo Bernardini, Manfredo Kraemer, Diego Montes, Le Concert Des Nations | A Major | 3 | 11B | 109 BPM |
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