"Sederunt Principes" by Pérotin, The Hilliard Ensemble was released on October 1, 1989. Sederunt Principes appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Perotin". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Based on our statistics, Sederunt Principes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sederunt Principes by Pérotin, The Hilliard Ensemble having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Léonin / Pérotin: Magnus Liber / Feast Of St. Stephen: Etenim sederunt principes (à 1) (Introit) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir | C Minor | 2 | 5A | 93 BPM | ||
Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | F Major | 0 | 7B | 132 BPM | ||
Delphic Paean | Jan Garbarek, Athenaeus,, The Hilliard Ensemble | B Major | 1 | 1B | 83 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Lanquan li jorn | Jaufre Rudel, Dominique Vellard, Ensemble Gilles Binchois | B Minor | 1 | 10A | 132 BPM | ||
Recercare (I) | Francesco Spinacino, Robert Meunier | E Minor | 1 | 9A | 118 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Szeroka Woda (Broad Waters), Opus 39: Oj, Kiedy No Powislu (Oh, When in Powisle), non troppo | Henryk Górecki, Lucy Ding | G Minor | 1 | 6A | 94 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Music Of The Gothic Era - Notre Dame Period: Sederunt principes | Pérotin, Early Music Consort Of London, David Munrow | C Major | 3 | 8B | 114 BPM |
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