"Nessun Dorma (From Violin Fantasy on Puccini's Turandot)" by Vanessa-Mae, Viktor Fedotov, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden was released on July 15, 2002. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "The Best Of Vanessa-Mae". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Nessun Dorma (From Violin Fantasy on Puccini's Turandot) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nessun Dorma (From Violin Fantasy on Puccini's Turandot) by Vanessa-Mae, Viktor Fedotov, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach Street Prelude | Vanessa-Mae | E Major | 8 | 12B | 121 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | E♭ Major | 1 | 5B | 49 BPM | ||
Adagio in G Minor (formerly Attrib. Albinoni) | Remo Giazotto, I Musici | C Minor | 1 | 5A | 94 BPM | ||
Romance (Arr. J. Williams for Guitar & Orchestra) | Traditional, William Goodchild, John Williams | E Major | 0 | 12B | 76 BPM | ||
Raymonda, Act I: Scene Mimique | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | C Major | 1 | 8B | 175 BPM | ||
Theme from E.T. (The Extra-Terrestrial) | Ron Goodwin | A Minor | 0 | 8A | 79 BPM | ||
Gianni Schicchi: O Mio Babbino Caro | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | A♭ Major | 2 | 4B | 84 BPM | ||
Storm - Soundscape Mix | Antonio Vivaldi, Vanessa-Mae | F Minor | 9 | 4A | 140 BPM | ||
Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, John Williams, Louis Frémaux, Philharmonia Orchestra | B Minor | 1 | 10A | 111 BPM | ||
En Aranjuez Con Tu Amor | Joaquín Rodrigo, Alfredo Garcia Segura, Fernando Lima | A Minor | 1 | 8A | 110 BPM |
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