Giuseppe Prencipe, Francesco Squarcia, Luciano Guiliani And Cameristi Italiani's 'Concerto In Re Maggiore Per Viola E Archi Allegro (Tartini)' came out on 2000. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi, Tartini, Mercadante- Raritá by Giuseppe Prencipe, Francesco Squarcia, Luciano Guiliani And Cameristi Italiani. The song's track number on the album is #7 out of 14 tracks. Concerto In Re Maggiore Per Viola E Archi Allegro (Tartini) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto In Re Maggiore Per Viola E Archi Allegro (Tartini) by Giuseppe Prencipe, Francesco Squarcia, Luciano Guiliani And Cameristi Italiani has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Concerto In Re Maggiore Per Viola E Archi Allegro (Tartini) being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quichotte - Suite: 3. Son Attaque des Moulins à vent | Georg Philipp Telemann, Lucerne Festival Strings, Rudolf Baumgartner | G Major | 5 | 9B | 88 BPM | ||
Sinfonia a quattro No. 1 in B-Flat Major, SF C781: III. Gavotta | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Concerto In Re Maggiore Per Viola E Archi Allegro (Tartini) | Giuseppe Prencipe, Francesco Squarcia, Luciano Guiliani And Cameristi Italiani | D Major | 2 | 10B | 73 BPM | ||
Symphony in A Major, H. 660, Wq. 182/4: III. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM | ||
Symphony No. 6 in E Major, Wq. 182: III. Allegro spiritoso | Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek | E♭ Major | 2 | 5B | 173 BPM | ||
Lieder Ohne Worte, Erstes Heft, Op. 19 (Arr. for Violin and Piano by Ferdinand David): III. Moderato | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Himmelskonig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | D Major | 8 | 10B | 102 BPM | ||
Symphony in E-Flat Major, Op. 3 No. 4, WolS Eb3: I. Allegro | Johann Stamitz, Musica Viva, Alexander Rudin | A Major | 2 | 11B | 147 BPM | ||
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Cantabunt Mihi | Radoslaw Pallarz, Franz Bach, Emily Korner, Bernhard Lörcher, Jakob Lustig, Tabea Schmidt, Philippe Tondre, Felix von Tippelskirch | C Minor | 0 | 5A | 129 BPM |
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