"Messa da Requiem (2004 Digital Remaster), VII. Libera me: Libera me" by Sergiu Celibidache, Munich Philharmonic Orchestra, Kurt Rydl, Peter Dvorsky, Chor des Münchner Philharmoniker, Elena Filipova, Reinhild Runkel was released on November 28, 2005. Since Messa da Requiem (2004 Digital Remaster), VII. Libera me: Libera me is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: Messa Da Requiem by Sergiu Celibidache. The song's track number on the album is #7 out of 21 tracks. Messa da Requiem (2004 Digital Remaster), VII. Libera me: Libera me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem (2004 Digital Remaster), VII. Libera me: Libera me by Sergiu Celibidache, Munich Philharmonic Orchestra, Kurt Rydl, Peter Dvorsky, Chor des Münchner Philharmoniker, Elena Filipova, Reinhild Runkel has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem (2004 Digital Remaster), VII. Libera me: Libera me being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Tchaikovsky: Swan Lake Suite, Op. 20a: V. Andante con moto (arr. Mikhail Pletnev) | Pyotr Ilyich Tchaikovsky, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Symphony No.3 In E Flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) | Robert Schumann, Philharmonia Orchestra, Christian Thielemann | E♭ Major | 2 | 5B | 110 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | C Major | 1 | 8B | 145 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Symphony No. 103 in E flat, 'Drumroll': Finale: Allegro con spirito | Munich Philharmonic Orchestra, Sergiu Celibidache | D Major | 2 | 10B | 128 BPM | ||
Debussy: Nocturnes, CD 98, L. 91: No. 2, Fêtes | Claude Debussy, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | A Major | 2 | 11B | 71 BPM | ||
Symphony No. 1, Op. 11: I. Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo - Sehr mässig | Robert Schumann, Munich Philharmonic Orchestra, Sergiu Celibidache | E♭ Major | 2 | 5B | 103 BPM | ||
Horn Concerto No. 1 in E Flat Major, Op. 11, TrV. 117: Allegro | Richard Strauss, Lars-Michael Stransky, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 177 BPM |
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