"Tippett: Concerto for Double String Orchestra: I. Allegro con brio" by Michael Tippett, Andrew Davis, BBC Symphony Orchestra was released on January 1, 1996. Tippett: Concerto for Double String Orchestra: I. Allegro con brio is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Tippett: Concerto for Double String Orchestra, Fantasia Concertante & Ritual Dances". In this album, this song's track order is #1. Tippett: Concerto for Double String Orchestra: I. Allegro con brio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tippett: Concerto for Double String Orchestra: I. Allegro con brio by Michael Tippett, Andrew Davis, BBC Symphony Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Die Walküre, Act 1: Prelude | Richard Wagner, Otto Klemperer, New Philharmonia Orchestra | D Minor | 3 | 7A | 203 BPM | ||
Bohortha, Seven Pieces for Orchestra: I. Lost Worlds | Michael Zev Gordon, BBC Symphony Orchestra, Jukka-Pekka Saraste | B♭ Major | 0 | 6B | 134 BPM | ||
The Tempest: Suite No. 2, Op. 109: VII. The Naiads | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Coronation Orchestra, Antonio Pappano | C Minor | 1 | 5A | 83 BPM | ||
Mass No. 3 in F Minor, WAB 28: Benedictus | Anton Bruckner, Lenneke Ruiten, Iris Vermillion, Shawn Mathey, Franz-Josef Selig, Rundfunkchor Berlin, Orchestre de la Suisse Romande, Marek Janowski | A♭ Major | 1 | 4B | 132 BPM | ||
Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 1 | 8B | 66 BPM | ||
Partita Suite No. 1 for String Orchestra, H.212: III. Andante Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 100 BPM | ||
Carmina Burana, Pt. 1: No. 7, Floret silva nobilis | Carl Orff, Atlanta Symphony Orchestra, Robert Shaw | D Minor | 1 | 7A | 138 BPM | ||
Pines of Rome, P. 141: I. The Pines of the Villa Borghese | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | B Major | 2 | 1B | 124 BPM | ||
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM |
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