"Pavane, Op. 50 (Arr. for Cello and Piano)" by Gabriel Fauré, Christian-Pierre La Marca, Lise de la Salle was released on March 16, 2018. With this song being about 5 minutes long, at 5:26, "Pavane, Op. 50 (Arr. for Cello and Piano)" by Gabriel Fauré, Christian-Pierre La Marca, Lise de la Salle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Pavane, Op. 50 (Arr. for Cello and Piano) only contains only one song in the album, we like to consider this song as a single. Pavane, Op. 50 (Arr. for Cello and Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pavane, Op. 50 (Arr. for Cello and Piano) by Gabriel Fauré, Christian-Pierre La Marca, Lise de la Salle having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegie | Jules Massenet, Christian-Pierre La Marca | E Minor | 0 | 9A | 73 BPM | ||
Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | ||
Nocturnes, Op. 9, No. 2 in E-Flat Major | Olga Scheps | B♭ Major | 0 | 6B | 65 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Steven Isserlis | G Major | 0 | 9B | 114 BPM | ||
Nyman: The Heart Asks Pleasure First | Michael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | A Minor | 1 | 8A | 108 BPM | ||
Beau Soir, L.6 | Mischa Maisky, Claude Debussy, Daria Hovora | F♯ Minor | 1 | 11A | 71 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Salut d'amour, Op. 12 (Arr. by Söllscher) | Edward Elgar, Jian Wang, Göran Söllscher | D Major | 1 | 10B | 76 BPM | ||
Adagio Pour Piano | Saint-Preux | A Minor | 2 | 8A | 131 BPM | ||
Méditation sur le 1er Prélude de piano de J.S. Bach | Charles Gounod, Roberto Prosseda | C Major | 0 | 8B | 64 BPM |
Section: 0.867650032043457
End: 0.8712353706359863