Gioachino Rossini's 'The Thieving Magpie' came out on October 22, 2013. The duration of The Thieving Magpie is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. The Thieving Magpie's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 32 in Batman: Arkham Origins (Original Video Game Score) by Christopher Drake. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Thieving Magpie's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Thieving Magpie by Gioachino Rossini is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 6. Uranus, The Magician | Gustav Holst, Chicago Symphony Orchestra, James Levine | G Minor | 1 | 6A | 105 BPM | ||
Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | E♭ Major | 6 | 5B | 110 BPM | ||
Il Barbiere di Siviglia: Piano, pianissimo | Gioachino Rossini, Cesare Sterbini, George Cehanovsky, Giuseppe Di Stefano, Alberto Erede | G Major | 1 | 9B | 110 BPM | ||
Act I - Dance Of The Soviet Sailors: Apple | St. Petersburg State Symphony Orchestra, Reinhold Glière | D Minor | 3 | 7A | 79 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Academy Of London, Anton Nel, Keith Snell, Richard Stamp | A Minor | 0 | 8A | 91 BPM | ||
Swan Lake, Op. 20: No. 13 Danses Des Cygnes: IV. Allegro Moderato | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | F♯ Minor | 0 | 11A | 114 BPM | ||
Finale (William Tell Overture) | Hans Zimmer | D♭ Minor | 9 | 12A | 142 BPM | ||
Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | F♯ Major | 0 | 2B | 88 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Recitativo: Ah, che bella vita! (Figaro/Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva, Tito Gobbi | C Major | 2 | 8B | 104 BPM | ||
Moving to the Ghetto Oct. 31, 1940 | Wojciech Kilar, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland | A Minor | 0 | 8A | 101 BPM |
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