"Medea / Act 1: Dei tuoi figli la madre (Ed. Testi)" by Luigi Cherubini, Lise Davidsen, London Philharmonic Orchestra, Sir Mark Elder was released on March 26, 2021. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 13 in Beethoven - Wagner - Verdi by Lise Davidsen, London Philharmonic Orchestra, Sir Mark Elder. Based on our statistics, Medea / Act 1: Dei tuoi figli la madre (Ed. Testi)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Medea / Act 1: Dei tuoi figli la madre (Ed. Testi) by Luigi Cherubini, Lise Davidsen, London Philharmonic Orchestra, Sir Mark Elder is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: II. Graduale | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | G Minor | 1 | 6A | 105 BPM | ||
Giulio Cesare / Act 1: Va tacito e nascosto | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 132 BPM | ||
Medea, Act I: Recitative: No, non temer (Creonte, Glauce, Giasone) - Live at Royal Opera House, Covent Garden, London, 30/06/1959 | Luigi Cherubini, Nicola Rescigno, Orchestra of the Royal Opera House, Covent Garden, Nicola Zaccaria, Joan Carlyle, Jon Vickers | C Minor | 2 | 5A | 76 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie | Ludwig van Beethoven, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Elizabeth Wilcock, Alastair Ross, The Monteverdi Choir | D Major | 1 | 10B | 79 BPM | ||
Capriol Suite: II. Pavane | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Pavane, Op. 50 (version for choir and orchestra) | Gabriel Fauré, OSJ Voices, St. John's Orchestra, John Lubbock | F♯ Minor | 0 | 11A | 139 BPM | ||
Cherubini: Sei Sonate per cimbalo, Sonata No. 4 in G: I. Moderato | Luigi Cherubini, Francesco Giammarco | G Major | 1 | 9B | 108 BPM |
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