Marin Marais, Isang Enders, Mischa Meyer's 'Pièces de Viole, livre III: No. 13 Grand ballet - Arr. for two cellos' came out on April 24, 2020. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vox Humana by Isang Enders. The song's track number on the album is #1 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. Pièces de Viole, livre III: No. 13 Grand ballet - Arr. for two cellos is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Pièces de Viole, livre III: No. 13 Grand ballet - Arr. for two cellos by Marin Marais, Isang Enders, Mischa Meyer has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Pièces de Viole, livre III: No. 13 Grand ballet - Arr. for two cellos being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Arpeggiata (Prelude) | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 133 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
Pièces de viole, Livre II No. 63: Les voix humaines | Marin Marais, Vittorio Ghielmi, Luca Pianca | D♭ Minor | 5 | 12A | 95 BPM | ||
Improvisations sur les folies d'Espagne (extraits) (Marin Marais) | Marin Marais, Jordi Savall | B Major | 1 | 1B | 59 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Alcione - 3Ème Suite - Airs Pour Les Prêtresse Et Les Magiciens - Prélude Pour La Prêtresse De Junon | Jordi Savall, Marin Marais | F Major | 0 | 7B | 184 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM |
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