"Louise: Depuis le jour (Act III)" by Kiri Te Kanawa was released on March 3, 2003. With this song being about 5 minutes long, at 5:08, "Louise: Depuis le jour (Act III)" by Kiri Te Kanawa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 13 in French Songs/Sheherazade Etc by Kiri Te Kanawa. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Louise: Depuis le jour (Act III) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Louise: Depuis le jour (Act III) by Kiri Te Kanawa is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Befreit, Op.39, No.4: Befreit, Op.39, No.4 | Richard Strauss, Kiri Te Kanawa, London Symphony Orchestra, André Previn | E Major | 1 | 12B | 94 BPM | ||
Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | B♭ Major | 1 | 6B | 103 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Joseph Calleja, Angela Gheorghiu, Apollo Voices, Orquestra de la Comunitat Valenciana, Ramón Tebar | C Major | 4 | 8B | 80 BPM | ||
Hine e hine (Lullaby) | Princess Te Rangi Pai, Kiri Te Kanawa, Waihirere Maori Group, Gisborne N.Z. | C Major | 1 | 8B | 79 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
Mesicku na nebi hlubokém ("Song of the Moon") | Antonín Dvořák, Leontyne Price, Nello Santi, New Philharmonia Orchestra | F♯ Major | 1 | 2B | 88 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM |
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