Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra's 'Khachaturian: Masquerade: I. Waltz' came out on January 1, 1994. With this song being about 5 minutes long, at 4:37, "Khachaturian: Masquerade: I. Waltz" by Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Aram Khachaturian, Alexander Lazarev & Bolshoi Symphony Orchestra, Alexander Lazarev, The Bolshoi Symphony Orchestra's "Khachaturian : Gayaneh, Masquerade & Spartacus [Excerpts] (Apex)" album is number 5 out of 13. On top of that, France appears to be the country where this track was created. In terms of popularity, Khachaturian: Masquerade: I. Waltz is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Khachaturian: Masquerade: I. Waltz by Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, George Szell, Cleveland Orchestra | E Minor | 0 | 9A | 77 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Waltz in A-Flat Major, Op. 39 No. 15 | Johannes Brahms, Van Cliburn | A♭ Major | 0 | 4B | 82 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Czardas | Vittorio Monti, Trio Sonata Concert | D Major | 1 | 10B | 151 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Khachaturian: Gayaneh, Suite No. 3: V. Sabre Dance | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | F Minor | 8 | 4A | 94 BPM | ||
Carmen's Entrance and Habanera | Gukovskiy Symphony Orchester, Sergey Skripka | D Major | 0 | 10B | 122 BPM |
Section: 0.6517775058746338
End: 0.6555767059326172