"Requiem in D Minor, K. 626: III. Sequenz - Confutatis" by Budapest Concert Orchestra was released on January 7, 2019. The duration of Requiem in D Minor, K. 626: III. Sequenz - Confutatis is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Requiem in D Minor, K. 626: III. Sequenz - Confutatis's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolfgang Amedeus Mozart: Requiem in D Minor KV 626 by Budapest Concert Orchestra. The song's track number on the album is #7 out of 14 tracks. Requiem in D Minor, K. 626: III. Sequenz - Confutatis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem in D Minor, K. 626: III. Sequenz - Confutatis by Budapest Concert Orchestra has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Requiem in D Minor, K. 626: III. Sequenz - Confutatis being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade In B-Flat For 13 Winds, K. 361/370A 'Gran Partita': lll. Andante | Anton Nanut, Slovenian Symphony Orchestra | E♭ Major | 1 | 5B | 138 BPM | ||
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto - Live | Johannes Brahms, Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | D Major | 0 | 10B | 105 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | A Major | 0 | 11B | 79 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, David Zinman | E Minor | 1 | 9A | 88 BPM | ||
Trois Gymnopédies: I. Lent Et Douloureux | Erik Satie, Wolfgang Sieber | D Major | 0 | 10B | 73 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): L'italiana in Algeri (The Italian Girl in Algiers): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | C Major | 2 | 8B | 146 BPM | ||
The Stars And Stripes Forever | Howard Hanson | D Major | 6 | 10B | 134 BPM | ||
Slovanic Dances, Op. 46, B. 83: No. 1, Furiant | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 125 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III: Prelude | Richard Wagner, Sofia Symphony Orchestra, Vassil Kazandjiev | D Major | 0 | 10B | 67 BPM |
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