Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa's 'Swan Lake, Op. 20, TH 12 / Act III: Pas de six: Var. III (Moderato) und Var. IV (Allegro)' came out on January 8, 2022. With Swan Lake, Op. 20, TH 12 / Act III: Pas de six: Var. III (Moderato) und Var. IV (Allegro) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 92 in the song's album "Start 2022 with Tchaikovsky". In this album, this song's track order is #22. Swan Lake, Op. 20, TH 12 / Act III: Pas de six: Var. III (Moderato) und Var. IV (Allegro) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Swan Lake, Op. 20, TH 12 / Act III: Pas de six: Var. III (Moderato) und Var. IV (Allegro) by Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM | ||
Symphony No. 5 in E Minor, Op. 64, TH 29: III. Waltz. Allegro moderato | Pyotr Ilyich Tchaikovsky, Antoni Wit, Polish National Radio Symphony Orchestra | A Major | 2 | 11B | 147 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Le Carnaval des Animaux, R. 125: 7. Aquarium | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | A Minor | 0 | 8A | 136 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante | Franz Schubert, Krystian Zimerman | F♯ Major | 0 | 2B | 61 BPM | ||
Elgar: Serenade for Strings, Op. 20: I. Allegro piacevole | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E Minor | 1 | 9A | 125 BPM |
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