"The Well-Tempered Clavier, Book 1, Prelude & Fugue in C Major, BWV 846: I. Prelude" by Johann Sebastian Bach, Sonia Rubinsky was released on October 11, 2019. The duration of The Well-Tempered Clavier, Book 1, Prelude & Fugue in C Major, BWV 846: I. Prelude is about 3 minutes long, at 3:25. Based on our data, "The Well-Tempered Clavier, Book 1, Prelude & Fugue in C Major, BWV 846: I. Prelude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Sonia Rubinsky's "Magna Sequentia III" album is number 6 out of 7. On top of that, Hong Kong appears to be the country where this track was created. The Well-Tempered Clavier, Book 1, Prelude & Fugue in C Major, BWV 846: I. Prelude is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Well-Tempered Clavier, Book 1, Prelude & Fugue in C Major, BWV 846: I. Prelude by Johann Sebastian Bach, Sonia Rubinsky to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | F♯ Minor | 0 | 11A | 86 BPM | ||
Song Without Words, Op. 109 | Felix Mendelssohn, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 71 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | A♭ Major | 0 | 4B | 113 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso - Live at Konzerthaus Berlin / 2018 | Ludwig van Beethoven, Jan Lisiecki, Academy of St. Martin in the Fields, Tomo Keller | B Major | 0 | 1B | 84 BPM | ||
Thaïs: Méditation (Arr. for Violin and Orchestra) | Jules Massenet, Joshua Bell, Nigel Hess, Royal Philharmonic Orchestra | D Major | 2 | 10B | 95 BPM | ||
Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |
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