"Préludes, Book I, L. 117: VIII. La fille aux cheveux de lin" by Claude Debussy, Peter Schmalfuss was released on July 30, 2022. The duration of Préludes, Book I, L. 117: VIII. La fille aux cheveux de lin is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Préludes, Book I, L. 117: VIII. La fille aux cheveux de lin's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Soft Piano By Debussy". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Sweden. Préludes, Book I, L. 117: VIII. La fille aux cheveux de lin is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Préludes, Book I, L. 117: VIII. La fille aux cheveux de lin by Claude Debussy, Peter Schmalfuss having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 135 BPM | ||
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 73 BPM | ||
Dances for Harp and Orchestra, L. 103: 1. Danse sacrée | Lavinia Meijer, Amsterdam Sinfonietta | D Minor | 0 | 7A | 81 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | ||
Beau soir (arr. J. Heifetz) | Jascha Heifetz, Claude Debussy, Elissa Lee Koljonen, Robert Koenig | F♯ Minor | 0 | 11A | 66 BPM |
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