Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto made "Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night"" available on 1900. With this song being about 5 minutes long, at 4:40, "Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night"" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Henry Purcell, Christina Pluhar's "Music for a While - Improvisations on Purcell" album is number 13 out of 17. In terms of popularity, Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night" is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Purcell / Arr. Pluhar: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Montilla (Golpe) | Anon, Christina Pluhar, Quito Gato | G Minor | 5 | 6A | 108 BPM | ||
Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland | Johann Sebastian Bach, Andreas Scholl, Kammerorchester Basel, Julia Schröder | B Minor | 1 | 10A | 138 BPM | ||
Cavalli / Arr Pluhar: La Calisto, Act 1: "Non è maggior piacere" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | D Minor | 3 | 7A | 123 BPM | ||
Dido and Aeneas / Act 3: But death...When I am laid...With drooping wings... | Henry Purcell, Dame Janet Baker, The St. Anthony Singers, English Chamber Orchestra, Anthony Lewis | G Minor | 1 | 6A | 75 BPM | ||
Nisi Dominus, RV 608: I. Nisi Dominus | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky | G Minor | 2 | 6A | 117 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | F Major | 0 | 7B | 131 BPM | ||
The Indian Queen, Z. 630 : Act III - Duet (Aerial Spirits): Ah! How Happy We Are | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A♭ Minor | 1 | 1A | 196 BPM | ||
Erbarme Dich / Have mercy (Aria: MP 39) | Sarband | G Minor | 1 | 6A | 92 BPM | ||
Monteverdi: Madrigals, Book 7: Con che soavità, SV 139 | Claudio Monteverdi, Christina Pluhar, Núria Rial | G Major | 1 | 9B | 79 BPM | ||
Tu bella ca lu tieni lu pettu tundu | Christina Pluhar, Giuseppe De Vittorio, Lucilla Galeazzi, Marco Beasley, Alfio Antico, L'Arpeggiata | A Minor | 0 | 8A | 206 BPM |
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