"Op. 6, Behold, the Bridegroom Comes" by St.Petersburg Chamber Choir, Nikolai Korniev was released on December 4, 2020. The duration of Op. 6, Behold, the Bridegroom Comes is about 3 minutes long, at 3:20. Based on our data, "Op. 6, Behold, the Bridegroom Comes" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Pavel Chesnokov, Sacred Compositions (Vol.1)". In this album, this song's track order is #5. In terms of popularity, Op. 6, Behold, the Bridegroom Comes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Op. 6, Behold, the Bridegroom Comes by St.Petersburg Chamber Choir, Nikolai Korniev having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Hymn of the Cherubim (Excerpts) | Bulgarian National Choir | D Major | 1 | 10B | 85 BPM | ||
Vespers, Op. 37: V. "Nyne otpushchayeshi" | Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | F♯ Major | 0 | 2B | 135 BPM | ||
Léonin / Pérotin: Magnus Liber / Easter: Cristus resurgens - Dicant nunc (à 3) (Processional Antiphon) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir, James O'Donnell | C Major | 2 | 8B | 91 BPM | ||
Eugene Onegin, Op.24, TH.5 / Act 2: Mazurka and Scene. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski?" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Herve Hennequin, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | E Minor | 2 | 9A | 132 BPM | ||
Fervent Supplication | The Russian State Symphony Cappella | C Major | 2 | 8B | 134 BPM | ||
Festival Mass in D Major "Dona nobis pacem": IV. Sanctus | Joseph Suder, Natalia Korneva, Maria Neilau, Vladimir Mostovoy, Jurí Dobrowski, St.Petersburg Chamber Choir, Kinderchor des Pestalozzi-Gymnasiums München, Bavarian State Youth Orchestra, Jessica Hartlieb, Marlene Hinterberger, Werner Andreas Albert | E Major | 1 | 12B | 79 BPM | ||
Ola Gjeilo: Tota pulchra es | Ola Gjeilo, Schola Cantorum, Tone Bianca Sparre Dahl | E Major | 1 | 12B | 131 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM |
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