"Pictures at an Exhibition: The Great Gate at Kiev" by Mariss Jansons, Oslo Philharmonic Orchestra was released on 2002. Pictures at an Exhibition: The Great Gate at Kiev is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Mariss Jansons's "Mussorgsky:Pictures at an Exhibition etc/Rimsky-Korsakov:Scheherazade etc" album is number 15 out of 26. In terms of popularity, Pictures at an Exhibition: The Great Gate at Kiev is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition: The Great Gate at Kiev by Mariss Jansons, Oslo Philharmonic Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | F♯ Minor | 0 | 11A | 78 BPM | ||
Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: II. Andante con moto | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | A Minor | 0 | 8A | 80 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Der Anstieg (The Ascent) - | Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 2 | 9B | 72 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | G Major | 0 | 9B | 123 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Symphony No. 104 in D Major, Hob.I:104, "Salomon": IV. Finale. Spiritoso | Joseph Haydn, Mariss Jansons | D Major | 2 | 10B | 73 BPM |
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