New York Philharmonic made "Simphony No. 7 in A major, Op. 92: IV. Allegro con brio" available on June 13, 2010. Since Simphony No. 7 in A major, Op. 92: IV. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Beethoven: Symphony No. 5 & No. 7 by New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from British Virgin Islands. Simphony No. 7 in A major, Op. 92: IV. Allegro con brio is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Simphony No. 7 in A major, Op. 92: IV. Allegro con brio by New York Philharmonic is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish": 4. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Minor | 3 | 8A | 121 BPM | ||
St Matthew Passion, BWV 244: Part I, No. 32: Recitative "And He Came Again" | Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic | D♭ Major | 2 | 3B | 111 BPM | ||
Embraceable You | George Gershwin, Zubin Mehta, New York Philharmonic | C Major | 1 | 8B | 68 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): L'istesso tempo - Più mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 84 BPM | ||
Carmen Suite No. 1: Séguedille. Allegretto (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 94 BPM | ||
Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM |
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