"Thirteen Preludes in G Major, Op.32: V. Moderato" by Géza Anda was released on March 4, 2010. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Night Music". In this album, this song's track order is #8. Thirteen Preludes in G Major, Op.32: V. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Thirteen Preludes in G Major, Op.32: V. Moderato by Géza Anda having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Liebestraum No. 3 in A flat, S.541 No. 3 | Franz Liszt, Claudio Arrau | A♭ Major | 1 | 4B | 124 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
24 Préludes, Op. 28: No. 17 in A-Flat Major | Frédéric Chopin, Géza Anda | B♭ Minor | 1 | 3A | 70 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
24 Préludes, Op. 28: 24. in D minor | Frédéric Chopin, Géza Anda | B♭ Minor | 1 | 3A | 70 BPM | ||
La Danza (Tarantella napoletana), S424/9 (after Gioacchino Rossini, Soirées musicale) | Franz Liszt, Tristan Pfaff | F Major | 5 | 7B | 134 BPM | ||
Lyric Pieces Book II, Op. 38: No. 1 Berceuse | Edvard Grieg, Emil Gilels | D Major | 0 | 10B | 111 BPM | ||
Sonata No. 16 in B Flat Major, II. Adagio | Maria João Pires | E♭ Major | 0 | 5B | 96 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM |
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