Audio Features

Acousticness
98%
Energy
12%
Liveness
16%
Speechiness
5%
Danceability
40%
Instrumentalness
0%
Loudness
65%
Valence
32%

Harmonic Matches

Find songs that harmonically matches to Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Manon: Je marche sur tous les chemins by Jules Massenet, Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Jeffrey TateManon: Je marche sur tous les cheminsJules Massenet, Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Jeffrey TateG Major19B108
Tannhäuser - Paris version / Act III: O du, mein holder Abendstern by Richard Wagner, Andreas Schmidt, Philharmonia Orchestra, Giuseppe SinopoliTannhäuser - Paris version / Act III: O du, mein holder AbendsternRichard Wagner, Andreas Schmidt, Philharmonia Orchestra, Giuseppe SinopoliG Major09B71
Strauss, Johann II: Die Fledermaus, Act 2: Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele)Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic OrchestraG Major39B73
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'Erebo by Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger BarockorchesterOrfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'EreboChristoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger BarockorchesterG Major39B122
Lullaby for String Quartet by George Gershwin, Alexander String QuartetLullaby for String QuartetGeorge Gershwin, Alexander String QuartetG Major19B96
Morgen!, Op. 27 No. 4 by Richard Strauss, Helmut Deutsch, Jonas KaufmannMorgen!, Op. 27 No. 4Richard Strauss, Helmut Deutsch, Jonas KaufmannG Major09B128
Guillaume Tell (William Tell): Overture (arr. F. Wrede for 2 pianos 8 hands): Andante - by Gioachino Rossini, Ferdinand Wrede, 12 PianistsGuillaume Tell (William Tell): Overture (arr. F. Wrede for 2 pianos 8 hands): Andante -Gioachino Rossini, Ferdinand Wrede, 12 PianistsG Major09B74
Eine kleine Nachtmusik in G major, K 525: I. Allegro by London Symphony OrchestraEine kleine Nachtmusik in G major, K 525: I. AllegroLondon Symphony OrchestraG Major19B137
Cavalleria rusticana: Cavalleria rusticana: "Regina coeli laetare"Pietro Mascagni, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea GavazzeniG Major39B87
L'Europa riconosciuta: Numi, respiro...Ah, lo sento (Europa) by Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'HarmonieL'Europa riconosciuta: Numi, respiro...Ah, lo sento (Europa)Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'HarmonieG Major19B127
Orfeo ed Euridice: Overtura by Christoph Willibald Gluck, René Jacobs, Freiburger BarockorchesterOrfeo ed Euridice: OverturaChristoph Willibald Gluck, René Jacobs, Freiburger BarockorchesterG Major29B76
The Carnival Of The Animals, R.125: The Swan / blessing the boats by Camille Saint-Saëns, Lucille Clifton, Bill Murray, Jan VoglerThe Carnival Of The Animals, R.125: The Swan / blessing the boatsCamille Saint-Saëns, Lucille Clifton, Bill Murray, Jan VoglerG Major19B172
Mir Ist So Wunderbar (Fidelio, Act 1) by Herbert von KarajanMir Ist So Wunderbar (Fidelio, Act 1)Herbert von KarajanG Major19B88
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 8: Aria - Non Piu Andrai by Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus MozartLe Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 8: Aria - Non Piu AndraiDonato Di Stefano, Patrizia Pace, Jozsef Mukk, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus MozartG Major29B127
Axur, Finale by Antonio Salieri, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthyAxur, FinaleAntonio Salieri, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthyG Major39B95
Holberg Suite, opus 40:Rigaudon (Allegro con brio) by Academy of St. Martin in the FieldsHolberg Suite, opus 40:Rigaudon (Allegro con brio)Academy of St. Martin in the FieldsG Major19B131
Ave Maria, CG 89a (Arr. Emanuele Vianelli) by Charles Gounod, Andrea Bocelli, Emanuele VianelliAve Maria, CG 89a (Arr. Emanuele Vianelli)Charles Gounod, Andrea Bocelli, Emanuele VianelliG Major29B80
Massenet: Manon, Act 3 Tableau 1 Scene 4: Massenet: Manon, Act 3 Tableau 1 Scene 4: "Obéissons, quand leur voix appelle … Profitons bien de la jeunesse" (Manon, Brétigny, Chorus) - GavotteJules Massenet, Angela Gheorghiu, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, BrusselsG Major19B176
Die Nacht (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) by Franz Schubert, Anja Lechner, Pablo MarquezDie Nacht (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez)Franz Schubert, Anja Lechner, Pablo MarquezG Major09B85
Tod und Verklarung (Death and Transfiguration), Op. 24, TrV 158 by Richard Strauss, Slovak Philharmonic, Zdeněk KošlerTod und Verklarung (Death and Transfiguration), Op. 24, TrV 158Richard Strauss, Slovak Philharmonic, Zdeněk KošlerG Major19B80
Louise: Depuis le jour (Act III) by Kiri Te KanawaLouise: Depuis le jour (Act III)Kiri Te KanawaG Major19B175
Pagliacci / Act 1: Pagliacci / Act 1: "Un grande spettacolo!"Ruggero Leoncavallo, Luciano Pavarotti, Ingvar Wixell, Vincenzo Bello, The London Opera Chorus, Finchley Children's Music Group, National Philharmonic Orchestra, Giuseppe PatanèG Major29B82
L'incoronazione di Poppea, SV 308 / Act III: L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro"Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot GardinerG Major09B125
Me voglio fa' 'na casa (Arr. Chiaramello) by Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton GuadagnoMe voglio fa' 'na casa (Arr. Chiaramello)Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton GuadagnoG Major29B172

Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine Information

As of now, this track is currently not as popular as other songs out there. Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" doesn't provide as much energy as other songs but, this track can still be danceable to some people.

What album is Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine in?

The name of the album that Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine belongs to is Mozart Opera. This song is track #38 in Mozart Opera by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine, which has a total of 58 tracks.

Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine BPM (Tempo)

Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" has a tempo of 142 BPM. Since this track has a tempo of 142, the tempo markings of this song would be Allegro (fast, quick, and bright). Based on the tempo, this track could possibly be a great song to play while you are jogging or cycling. Overall, we believe that this song has a fast tempo.

Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine Key

The key of Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" is G Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

When was Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine released?

Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine was released on January 9, 2022. "Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust"" is considered a new track, since it was released this year (2022).

How long is Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine?

The duration of Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine is 2:43 or 2 minutes and 43 seconds. This track's duration is pretty similar to other tracks that are released today.

Is Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine explicit?

The song Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine is not explicit and is considered clean. This concludes that "Die Entführung aus dem Serail, K.384 / Act 2: "Welche Wonne, welche Lust"" is not offensive or unsuitable for children.


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