Wolfgang Amadeus Mozart, Christoph Eschenbach, London Philharmonic Orchestra's 'Piano Concerto No. 27 in B-Flat Major, K. 595: III. Allegro - Cadenza - Tempo I' came out on May 1, 2021. Since Piano Concerto No. 27 in B-Flat Major, K. 595: III. Allegro - Cadenza - Tempo I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in #nowplaying Mozart, so we believe that "Piano Concerto No. 27 in B-Flat Major, K. 595: III. Allegro - Cadenza - Tempo I" is a single. In terms of popularity, Piano Concerto No. 27 in B-Flat Major, K. 595: III. Allegro - Cadenza - Tempo I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 27 in B-Flat Major, K. 595: III. Allegro - Cadenza - Tempo I by Wolfgang Amadeus Mozart, Christoph Eschenbach, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
Sinfonia in D Major, BWV 1045: III. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D Major | 3 | 10B | 95 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | B♭ Major | 1 | 6B | 64 BPM | ||
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: II. Romance. Andante cantabile | Wolfgang Amadeus Mozart, Radovan Vlatkovic, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 0 | 6B | 84 BPM | ||
Mozart: Horn Concerto No. 1 in D Major, K. 412: I. Allegro | Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich | C Minor | 0 | 5A | 101 BPM |
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