"Three American Sketches: II. Old Boston" by George Martin, Berlin Music Ensemble, Craig Leon was released on November 10, 2017. Three American Sketches: II. Old Boston is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in George Martin, Berlin Music Ensemble, Craig Leon's "George Martin: The Film Scores and Original Orchestral Music" album is number 11 out of 29. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Three American Sketches: II. Old Boston is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three American Sketches: II. Old Boston by George Martin, Berlin Music Ensemble, Craig Leon to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
John Dunbar Theme - From "Dances With Wolves" | John Barry, Hollywood Bowl Orchestra, John Mauceri | E♭ Major | 1 | 5B | 98 BPM | ||
Scheherezade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
Light (From "The Thin Red Line") | Hans Zimmer, Maxim Vengerov, Gavin Greenaway | C Minor | 2 | 5A | 74 BPM | ||
Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM | ||
Monti: Csárdás. Largo maestoso - Allegro vivace (Arr. for Violin and Instrumental Ensemble by Mikhail Parhamovsky) | Vittorio Monti, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | D Minor | 2 | 7A | 101 BPM | ||
The Sea: I. Seascape | Frank Bridge, Ulster Orchestra, Vernon Handley | F♯ Minor | 1 | 11A | 86 BPM | ||
Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Wolfgang Sawallisch, Concertgebouworkest | A Minor | 1 | 8A | 121 BPM | ||
Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | ||
Fauré: Suite de Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. for Cello and Orchestra) | Gabriel Fauré, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | E♭ Major | 1 | 5B | 72 BPM | ||
Goin' Home | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | G Major | 1 | 9B | 135 BPM |
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