On July 15, 1989, the song "Keyboard Sonata in D Minor, K.1/L.366/P.57" was released by Alessandro Scarlatti, Balazs Szokolay. The duration of Keyboard Sonata in D Minor, K.1/L.366/P.57 is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Keyboard Sonata in D Minor, K.1/L.366/P.57's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Romantic Piano Favourites, Vol. 9". In this album, this song's track order is #1. Based on our statistics, Keyboard Sonata in D Minor, K.1/L.366/P.57's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Keyboard Sonata in D Minor, K.1/L.366/P.57 by Alessandro Scarlatti, Balazs Szokolay having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor: 2. Sarabande | Louis Couperin, Christopher Hogwood | D♭ Minor | 1 | 12A | 140 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Keyboard Sonata in C Minor, K.11/L.352/P.67: Allegro | Domenico Scarlatti, Balazs Szokolay | G Minor | 1 | 6A | 109 BPM | ||
Sonata No. 5 in C Major: 1. Andante | Baldassare Galuppi, Arturo Benedetti Michelangeli | C Major | 0 | 8B | 176 BPM | ||
Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Oboe Concerto in C Major, RV 452: II. Adagio | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM |
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