"The Lamb" by John Tavener, Daniel Taylor was released on November 25, 2016. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Tree of Life". In this album, this song's track order is #5. The Lamb is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Lamb by John Tavener, Daniel Taylor having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lamb | Kim André Arnesen, Kantorei, Joel Rinsema | B Minor | 0 | 10A | 126 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
O vis eternitatis | Hildegard von Bingen, Sequentia, Barbara Thornton | A Minor | 1 | 8A | 62 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | E♭ Major | 0 | 5B | 76 BPM | ||
Antiphon, O quam mirabilis est | Hildegard von Bingen, Anonymous 4 | A Major | 0 | 11B | 83 BPM | ||
Locus iste | Anton Bruckner, Choir of St. John's College, Cambridge, Andrew Nethsingha | B Minor | 1 | 10A | 137 BPM | ||
Sinfonia from Cantata BWV 12 "Weinen, Klagen, Sorgen, Zagen" | Johann Sebastian Bach, Daniel Taylor | F♯ Minor | 0 | 11A | 72 BPM | ||
Heyr þú oss himnum á | Anna Thorvaldsdottir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | D Minor | 0 | 7A | 138 BPM | ||
O pastor animarum | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | B♭ Major | 0 | 6B | 112 BPM | ||
Agnus Dei, Op. 11 | Samuel Barber, Conspirare, Craig Hella Johnson | B♭ Minor | 0 | 3A | 73 BPM |
Section: 0.5889017581939697
End: 0.5924277305603027