Marc-Antoine Charpentier, Véronique Gens, Jean-Paul Fouchécourt, William Christie, Bernard Deletré, Les Arts Florissants, Gilles Ragon's 'Te Deum, H. 146: V. Tu devicto mortis aculeo' came out on April 27, 1989. With Te Deum, H. 146: V. Tu devicto mortis aculeo being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. Based on our statistics, Te Deum, H. 146: V. Tu devicto mortis aculeo's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Te Deum, H. 146: V. Tu devicto mortis aculeo by Marc-Antoine Charpentier, Véronique Gens, Jean-Paul Fouchécourt, William Christie, Bernard Deletré, Les Arts Florissants, Gilles Ragon is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quel Sguardo Sdegnosetto (Scherzi Musicali), 1632 | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | G Major | 1 | 9B | 87 BPM | ||
The King shall rejoice, Coronation anthem HWV 260: I. The King Shall Rejoice | George Frideric Handel, Les Arts Florissants, William Christie | D♭ Major | 3 | 3B | 114 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Major | 2 | 8B | 79 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: VIII. Agnus Dei | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | E Major | 0 | 12B | 84 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM | ||
Chants d'Auvergne, Vol. 1: No. 4. Brezairola (Lullaby) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 0 | 6B | 94 BPM | ||
Rinaldo, HWV 7b: Act I Scene 7: Aria: Cara sposa, amante cara, dove sei? (Rinaldo) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 92 BPM | ||
Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos] | William Christie | F Minor | 1 | 4A | 70 BPM | ||
Dixit Dominus, HWV 232: 7. Judicabit in nationibus | George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | A Major | 4 | 11B | 111 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: IX. Domine salvum | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Minor | 3 | 12A | 93 BPM |
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