"An die Musik, Op. 88, No. 4, D. 547" by Elisabeth Schwarzkopf was released on August 22, 2013. The duration of An die Musik, Op. 88, No. 4, D. 547 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. An die Musik, Op. 88, No. 4, D. 547's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Shwarzkopf Sings Schubert Lieder". In this album, this song's track order is #1. An die Musik, Op. 88, No. 4, D. 547 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An die Musik, Op. 88, No. 4, D. 547 by Elisabeth Schwarzkopf having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | D Major | 2 | 10B | 90 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
Die Zauberflöte - Singspiel in two acts, K. 620, Act II: O Isis und Osiris (Sarastro, Chor) - 1987 Digital Remaster | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | F Major | 1 | 7B | 92 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Renato Bruson, Edita Gruberova, Neil Shicoff, Brigitte Fassbaender, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 119 BPM | ||
Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | ||
Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live | George Frideric Handel, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner | A Major | 2 | 11B | 131 BPM | ||
Wesendonck Lieder: Träume | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | A♭ Major | 1 | 4B | 72 BPM | ||
Schubert: Auf dem Wasser zu singen, Op. 72, D. 774 | Franz Schubert, Elisabeth Schwarzkopf | D Major | 1 | 10B | 86 BPM | ||
La Traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 114 BPM |
Section: 1.0698153972625732
End: 1.0737361907958984