"Tartiniana seconda: I. Pastorale" by Luigi Dallapiccola, Duccio Ceccanti, Roberto Prosseda was released on 2005. The duration of Tartiniana seconda: I. Pastorale is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Tartiniana seconda: I. Pastorale's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 27 in Dallapiccola: Sonatina Canonica - Tartiniana Seconda by Luigi Dallapiccola, Duccio Ceccanti. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Tartiniana seconda: I. Pastorale is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tartiniana seconda: I. Pastorale by Luigi Dallapiccola, Duccio Ceccanti, Roberto Prosseda is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 2, Allegro maestoso | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | D Minor | 2 | 7A | 110 BPM | ||
Concerto for Violin & Orchestra, Op. 14: 2. Andante | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | E Major | 1 | 12B | 84 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
Lieder ohne Worte, Op. 19: No. 2 in A Minor. Andante espressivo, MWV U 80 | Felix Mendelssohn, Roberto Prosseda | A Minor | 0 | 8A | 71 BPM | ||
Rêverie, L. 68 | Claude Debussy, Menahem Pressler | F♯ Minor | 0 | 11A | 160 BPM | ||
Duet for 2 Flutes in E Minor, F. 54: III. Vivace | Wilhelm Friedemann Bach, Patrick Gallois, Kazunori Seo | E Minor | 1 | 9A | 77 BPM | ||
Abdelazer, Incidental Music, Z. 570: II. Rondeau (Arr. for Saxophone Quartet) | Henry Purcell, Ferio Saxophone Quartet | A♭ Minor | 1 | 1A | 73 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor. Andante sostenuto "Venetian Gondola Song", MWV U 78 | Felix Mendelssohn, Roberto Prosseda | G Minor | 0 | 6A | 133 BPM |
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