Mariss Jansons, London Philharmonic Orchestra made "Capriccio espagnol, Op.34: Alborada -" available on 2002. With Capriccio espagnol, Op.34: Alborada - being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mariss Jansons's "Mussorgsky:Pictures at an Exhibition etc/Rimsky-Korsakov:Scheherazade etc" album is number 7 out of 26. Based on our statistics, Capriccio espagnol, Op.34: Alborada -'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Capriccio espagnol, Op.34: Alborada - by Mariss Jansons, London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastoral": IV. Thunderstorm: Allegro | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 2 | 7B | 90 BPM | ||
William Tell: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 88 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | ||
Firebird Suite (1919 Version): I. Introduction [Live] | Igor Stravinsky, Bavarian Radio Symphony Orchestra, Mariss Jansons | F♯ Minor | 0 | 11A | 92 BPM | ||
Trout Quintet: Theme and variations | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
The Firebird Suite (1945 Version): VII. The Princesses' Khorovod [Live] | Igor Stravinsky, Bavarian Radio Symphony Orchestra, Mariss Jansons | A♭ Major | 2 | 4B | 85 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |
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