"Scheherezade, Op. 35: IV. The Festival of Bagdad, The Sea, The Ship Goes to Places on a Rock Surmounted by a Bronze Warrior" by Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra was released on July 28, 2014. Scheherezade, Op. 35: IV. The Festival of Bagdad, The Sea, The Ship Goes to Places on a Rock Surmounted by a Bronze Warrior appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Rimsky-Korsakov: Scheherezade, Op. 35". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Scheherezade, Op. 35: IV. The Festival of Bagdad, The Sea, The Ship Goes to Places on a Rock Surmounted by a Bronze Warrior is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherezade, Op. 35: IV. The Festival of Bagdad, The Sea, The Ship Goes to Places on a Rock Surmounted by a Bronze Warrior by Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): I. Presto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 131 BPM | ||
The Planets, Op. 32: VI. Uranus, the Magician | Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 3 | 8B | 115 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 1 in E Major | Niccolò Paganini, Itzhak Perlman | E Major | 3 | 12B | 102 BPM | ||
Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | C Major | 2 | 8B | 74 BPM | ||
Suite No. 3, P. 172: IV. Passacaglia: Maestoso | Ottorino Respighi, RTÉ National Symphony Orchestra | G Minor | 2 | 6A | 119 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
Moto perpetuo, Op.11 | Niccolò Paganini, Boston Symphony Orchestra, Seiji Ozawa | C Major | 3 | 8B | 153 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastoral": IV. Thunderstorm: Allegro | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 2 | 7B | 90 BPM |
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