"String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden" (Arr. R. Franz for Piano 4 Hands): II. Andante con moto" by Robert Franz, Franz Schubert, Caroline Clemmow, Anthony Goldstone was released on July 10, 2015. String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden" (Arr. R. Franz for Piano 4 Hands): II. Andante con moto appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Schubert: The Unauthorised Piano Duos, Vol. 3". In this album, this song's track order is #2. In terms of popularity, String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden" (Arr. R. Franz for Piano 4 Hands): II. Andante con moto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden" (Arr. R. Franz for Piano 4 Hands): II. Andante con moto by Robert Franz, Franz Schubert, Caroline Clemmow, Anthony Goldstone having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM | ||
Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
Sechs Lieder, Op. 48: Gruß, Op. 48/1 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | C Minor | 3 | 5A | 133 BPM | ||
Strauss, R: 3 Lieder, Op. 29: No. 2, Schlagende Herzen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Matthus: Nachtlieder: No. 1, Und die Erde war wüste und leer | Siegfried Matthus, Cherubini-Quartett, Dietrich Fischer-Dieskau, Maria Graf | D♭ Major | 0 | 3B | 81 BPM | ||
Les Berceaux, Op. 23 No. 1 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
Le Carnaval du Parnasse, Act I Scene 4: Ariette. Loin de nos bois (Thalie, chœur) | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Chœur De Chambre De Namur, Gwendoline Blondeel | F Minor | 4 | 4A | 141 BPM | ||
Liederkreis, Op. 39: No. 3. Waldesgesprach (Colloquy in the Forest) | Robert Schumann, Margaret Price, James Lockhart | E Major | 1 | 12B | 113 BPM |
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