"Scheherazade, Op. 35: IV. Allegro molto "Festival at Baghdad"" by Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock was released on August 25, 2017. Scheherazade, Op. 35: IV. Allegro molto "Festival at Baghdad" appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Rimsky-Korsakov: Scheherazade". In this album, this song's track order is #4. Scheherazade, Op. 35: IV. Allegro molto "Festival at Baghdad" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade, Op. 35: IV. Allegro molto "Festival at Baghdad" by Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Mit durchaus ernstem und feierlichem Ausdruck - Live | Gustav Mahler, New York Philharmonic, Leonard Bernstein | C Minor | 1 | 5A | 85 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | E Minor | 0 | 9A | 121 BPM | ||
The Snow Maiden / Prologue: "Minuyet lyeto krasnoye, sgoryat ogni kupalskiye" | Nikolai Rimsky-Korsakov, Ivan Murgashki, Belgrade National Opera Chorus, Belgrade National Opera Orchestra, Kreshimir Baranovich | B Minor | 1 | 10A | 81 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM |
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