Bamberg Symphony, Hanspeter Gmür, Otto Büchner made "Violin Concerto No.2 in E major, BWV 1042: III. Allegro assai" available on November 27, 2011. The duration of Violin Concerto No.2 in E major, BWV 1042: III. Allegro assai is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Violin Concerto No.2 in E major, BWV 1042: III. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 1-2-3 - A Bach Experience, so we believe that "Violin Concerto No.2 in E major, BWV 1042: III. Allegro assai" is a single. The popularity of Violin Concerto No.2 in E major, BWV 1042: III. Allegro assai is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Violin Concerto No.2 in E major, BWV 1042: III. Allegro assai by Bamberg Symphony, Hanspeter Gmür, Otto Büchner is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob) | Edward Elgar, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 76 BPM | ||
Clarinet Concerto in B-Flat Major: II. Adagio | Joseph Leopold Eybler, Eduard Brunner, Bamberg Symphony, Hans Stadlmair | F Major | 0 | 7B | 103 BPM | ||
Humperdinck: Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) | Engelbert Humperdinck, Bamberg Symphony, Karl Anton Rickenbacher | E♭ Minor | 1 | 2A | 86 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Bamberg Symphony, Jakub Hrůša | G Major | 1 | 9B | 71 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Strauss, R: Horn Concerto No. 2 in E-Flat Major: I. Allegro | Richard Strauss, Marie-Luise Neunecker/Ingo Metzmacher, Ingo Metzmacher, Bamberg Symphony | E♭ Major | 1 | 5B | 70 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Bamberg Symphony, Jonathan Nott | G Minor | 0 | 6A | 76 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM |
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