Wolfgang Amadeus Mozart, Lang Lang's '12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 11' came out on March 29, 2019. The duration of 12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 11 is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. 12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 11's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Piano Book (Deluxe Edition)". In this album, this song's track order is #31. Furthermore, we believe that the track originated from Germany. Based on our statistics, 12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 11's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 11 by Wolfgang Amadeus Mozart, Lang Lang having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Dies irae - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 4 | 6A | 72 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Violin Concerto No. 4 in D Major, K. 218: 1. Allegro | Wolfgang Amadeus Mozart, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | D Major | 2 | 10B | 121 BPM | ||
Nocturne No. 9 In B, Op. 32 No. 1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 80 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM |
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