Wilhelm Furtwängler's 'Götterdämmerung, Prelude: V. "O heilige Götter!" (Brunnhilde)' came out on May 31, 2000. With Götterdämmerung, Prelude: V. "O heilige Götter!" (Brunnhilde) being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wagner: Götterdämmerung by Wilhelm Furtwängler. The song's track number on the album is #5 out of 35 tracks. The popularity of Götterdämmerung, Prelude: V. "O heilige Götter!" (Brunnhilde) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung, Prelude: V. "O heilige Götter!" (Brunnhilde) by Wilhelm Furtwängler has a tempo of 163 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Götterdämmerung, Prelude: V. "O heilige Götter!" (Brunnhilde) being at 163 BPM, the half-time would be 82 BPM with a double-time of 326 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Metamorphosis of Themes by Carl Maria von Weber: 3. Andantino - Live | Paul Hindemith, Berliner Philharmoniker, Wilhelm Furtwängler | B Major | 1 | 1B | 61 BPM | ||
ピアノ協奏曲 第25番 ハ長調 K.503/第3楽章:フィナーレ、アレグレット(録音1946年8月7日 ザルツブルク音楽祭) | Wiener Philharmoniker, エトヴィン・フィッシャー | C Major | 1 | 8B | 95 BPM | ||
Violin Concerto in D Major, Op. 61 - Cadenzas by Joseph Joachim: 2. Larghetto - attacca - Live | Ludwig van Beethoven, Joseph Joachim, Wolfgang Schneiderhan, Berliner Philharmoniker, Wilhelm Furtwängler | G Major | 0 | 9B | 69 BPM | ||
The Seven Last Words of our Saviour on the Cross, Op. 51 (Hob.III. 50-56): 9. Il Terremoto (Presto e con tutta la forza) | Joseph Haydn, Berliner Philharmoniker, Riccardo Muti | F Minor | 1 | 4A | 62 BPM | ||
Symphony No. 14, Op. 135: II. Malagueña | Dmitri Shostakovich, Asmik Grigorian, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 2 | 8B | 101 BPM | ||
Overture "A Midsummer Night's Dream", Op. 21 | Felix Mendelssohn, Berliner Philharmoniker, Wilhelm Furtwängler | E Major | 2 | 12B | 143 BPM | ||
Concerto For 2 Pianos In E Major: III. Allegro | Benjamin Frith, RTE Sinfonietta, Hugh Tinney, Felix Mendelssohn | E Major | 1 | 12B | 144 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes | Hector Berlioz, Royal Concertgebouw Orchestra, Antal Doráti | D Major | 0 | 10B | 121 BPM | ||
Orphée aux enfers, ACT 2, Troisième tableau: un roi de Béotie - Le boudoir de Pluton: Entr'acte | Jacques Offenbach, Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | B♭ Major | 1 | 6B | 82 BPM |
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