"Capricho árabe" by Francisco Tárrega, Andrés Segovia was released on January 1, 2002. With this song being about 5 minutes long, at 5:26, "Capricho árabe" by Francisco Tárrega, Andrés Segovia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 41 in Andrés Segovia - The Art of Segovia by Andrés Segovia, Albert Roussel, Alexander Scriabin, Carlos Pedrell, César Franck, Claude Debussy, Domenico Scarlatti, Edvard Grieg, Federico Moreno Torroba, Felix Mendelssohn, Fernando Sor, Francisco Tárrega, Frédéric Chopin, George Frideric Handel, Girolamo Frescobaldi, Heitor Villa-Lobos, Isaac Albéniz, Jean-Philippe Rameau, Joaquín Rodrigo, Joaquín Turina, Johann Sebastian Bach, John Dowland, Manuel de Falla, Manuel Ponce, Mario Castelnuovo-Tedesco, Modest Mussorgsky, Niccolò Paganini, Traditional. In terms of popularity, Capricho árabe is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Capricho árabe by Francisco Tárrega, Andrés Segovia is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Abdelazar Suite, Z. 570: II. Rondo (arr. B. Kanengiser) | Henry Purcell, Bill Kanengiser, Los Angeles Guitar Quartet | D Minor | 1 | 7A | 92 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 22 in E Minor | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM | ||
Sainz de la Maza: El Vito | Regino Sáinz de la Maza, Thibaut García | A Minor | 2 | 8A | 103 BPM | ||
6 Etudes: Leccion No. 15 | Norbert Kraft | G Major | 0 | 9B | 114 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
Recuerdos de la Alhambra, IFT 44 | Francisco Tárrega, Heike Matthiesen | D Major | 1 | 10B | 131 BPM | ||
Valsinha | Francisco Mignone, Luiz de Moura Castro | E Minor | 0 | 9A | 62 BPM | ||
Dolly Suite Berceuse, Op. 56: I. Allegretto Moderato | TERZ Classical guitar trio | E Major | 1 | 12B | 134 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
Carcassi Op.60 N.7 Allegro | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 144 BPM |
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