"One Touch Of Venus: Speak Low" by Kurt Weill, Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot Gardiner was released on January 1, 1994. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weill: Speak Low by Kurt Weill, Anne Sofie von Otter, James Sims, Karl-Heinz Lampe, Christfried Biebrach, Frederick Martin, Bengt Forsberg, NDR-Sinfonieorchester, John Eliot Gardiner. The song's track number on the album is #21 out of 22 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, One Touch Of Venus: Speak Low is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since One Touch Of Venus: Speak Low by Kurt Weill, Anne Sofie von Otter, NDR-Sinfonieorchester, John Eliot Gardiner has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With One Touch Of Venus: Speak Low being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Je ne t´aime pas | Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera | B♭ Minor | 5 | 3A | 115 BPM | ||
Scotch Strathspey and Reel - Inlaid with several Irish and Scotch tunes and a sea-chanty | Percy Grainger, Monteverdi Orchestra, John Eliot Gardiner, The Monteverdi Choir | C Minor | 2 | 5A | 118 BPM | ||
Si vous n'avez rien à me dire | Camille Saint-Saëns, Anne Sofie von Otter, Bengt Forsberg | A Major | 0 | 11B | 135 BPM | ||
Debussy: Beau soir, CD 84, L. 6 | Claude Debussy, Véronique Gens, Roger Vignoles | F♯ Major | 0 | 2B | 113 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Du bist die Ruh', Op. 59/3, D.776 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | C Major | 0 | 8B | 80 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimi) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 0 | 10B | 91 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | B Major | 1 | 1B | 180 BPM | ||
Dido and Aeneas / Act 3: "When I am laid in earth" - Excerpt | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | F♯ Minor | 1 | 11A | 85 BPM |
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