- BPM
- 62
- Key
- E Minor
- Camelot
- 9A
鳥は星形の庭に降りる (1977) - Toru Takemitsu, アンサンブル・タッシ, ボストン交響楽団, Seiji Ozawa Information
- Acousticness
- 94%
- Danceability
- 6%
- Energy
- 8%
- Instrumentalness
- 65%
- Liveness
- 9%
- Loudness
- 57%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 16%
- Loudness
- -25.543 dB
Summary
"鳥は星形の庭に降りる (1977)" by Toru Takemitsu, アンサンブル・タッシ, ボストン交響楽団, Seiji Ozawa was released on January 1, 1980. 鳥は星形の庭に降りる (1977) appears to be safe for all ages as it is not explicit. There is only one song in 武満徹:カトレーン 他, so we believe that "鳥は星形の庭に降りる (1977)" is a single. 鳥は星形の庭に降りる (1977) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
鳥は星形の庭に降りる (1977) BPM
The tempo marking of 鳥は星形の庭に降りる (1977) by Toru Takemitsu, アンサンブル・タッシ, ボストン交響楽団, Seiji Ozawa is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
鳥は星形の庭に降りる (1977) Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | |
 | Reflections on the Nature of Water: IV. Gently swelling | Jacob Druckman, Group for Contemporary Music | C Minor | 0 | 5A | 157 BPM | |
 | Toward the Sea II: III. Cape Cod | Toru Takemitsu, Yolanda Kondonassis, Joshua Smith, Bridget-Michaele Reischl, Oberlin 21 | B♭ Minor | 0 | 3A | 102 BPM | |
 | Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | |
| Toward the Sea II: I. The Night | Toru Takemitsu, Yolanda Kondonassis, Joshua Smith, Bridget-Michaele Reischl, Oberlin 21 | E♭ Major | 0 | 5B | 107 BPM | |
 | In Nomine-Instrumentation colorée I (2001) for flute, oboe, bass clarinet, percussion, piano, violin, viola and Violoncello | John Taverner, Gérard Pesson, Ensemble Recherche | D Major | 3 | 10B | 120 BPM | |
 | Six Encores: Leaf | Luciano Berio, Andrea Lucchesini | D Major | 0 | 10B | 49 BPM | |
 | Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | |
 | 12 Songs for Guitar: No. 2, Over the Rainbow - Arr. for Guitar by T. Takemitsu | Toru Takemitsu, Harold Arlen, Giacomo Palazzesi | G Major | 0 | 9B | 72 BPM | |
 | Saegirarenai kyusoku (Uninterrupted Rest): II. Quietly and with a cruel reverberation | Toru Takemitsu, Kotaro Fukuma | C Major | 0 | 8B | 100 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5930068492889404
End: 0.5964889526367188