"Giselle Apotheose" by Philharmonia Slavonica was released on September 30, 2011. The duration of Giselle Apotheose is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Giselle Apotheose's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Circus Is Back In Town! Manége Classics". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Giselle Apotheose is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Giselle Apotheose by Philharmonia Slavonica having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Holberg Suite Op.40 - Prelude | Radio Orchestra Berlin | G Major | 2 | 9B | 140 BPM | ||
10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia | Sergei Rachmaninoff, Peter Katin | G Minor | 3 | 6A | 106 BPM | ||
Die Schöpfung (The Creation), H. 21/2: III Sequentia: Dies Irae | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 75 BPM | ||
Variation 7: Don Quixotes Luftritt | Richard Strauss, Henry Adolph, Philharmonia Slavonica | E♭ Major | 2 | 5B | 97 BPM | ||
Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio | Tomaso Albinoni, Claudio Scimone, I Solisti Veneti | G Minor | 2 | 6A | 63 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM | ||
Piano Sonata No. 2 in B Minor, Op. 35: III. Marche funèbre: Lento | Vitalij Margulis | D♭ Major | 0 | 3B | 105 BPM | ||
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM |
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