"Puccini: Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly)" by Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan was released on 1955. With this song being about 5 minutes long, at 4:47, "Puccini: Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly)" by Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 36 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #15. Puccini: Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly) by Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | B♭ Major | 1 | 6B | 103 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
Serse, HWV 40, Act I: Ombra mai fù, "Largo" | George Frideric Handel, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | E♭ Major | 1 | 5B | 153 BPM | ||
Les Pecheurs De Perles: Je Crois Entendre Encore | Alfredo Kraus, Georges Bizet, Nicola Rescigno, Orquesta Manuel de Falla | A Minor | 1 | 8A | 81 BPM | ||
Addio del passato (From the Opera "Traviata") - Lisbonne 1958 | Maria Callas, Orchestre Sinfónica Nacional, Franco Ghione | F Major | 1 | 7B | 165 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Schubert: 4 Lieder, Op. 88: No. 4, An die Musik, D. 547 | Franz Schubert, Elisabeth Schwarzkopf, Edwin Fischer | D Major | 0 | 10B | 71 BPM | ||
Lakmé: 'Flower Duet' | Léo Delibes, Carl Davis, Royal Liverpool Philharmonic Orchestra and Choir, Janice Watson, Ruby Philogene | B Major | 1 | 1B | 81 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 5: No. 26, Solveig's Cradle Song | Edvard Grieg, Sylvia McNair/Berliner Philharmoniker/Jeffrey Tate, Sylvia McNair, Jeffrey Tate, Berliner Philharmoniker | D Major | 0 | 10B | 67 BPM |
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