Johann Sebastian Bach, Christoph Eschenbach made "15 Sinfonias, BWV 787-801: XV. Sinfonia In B Minor, BWV 801" available on June 16, 2022. With 15 Sinfonias, BWV 787-801: XV. Sinfonia In B Minor, BWV 801 being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 45 out of 350 in Bach: Classical Road Trip by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of 15 Sinfonias, BWV 787-801: XV. Sinfonia In B Minor, BWV 801 is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of 15 Sinfonias, BWV 787-801: XV. Sinfonia In B Minor, BWV 801 by Johann Sebastian Bach, Christoph Eschenbach is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
|Bwv 639: Choral Ich Ruf Zu Dir, Herr Jesu Christ||Ton Koopman||F♯ Minor||0||11A||62 BPM|
|Goldberg Variations, BWV 988: Var. 29||Johann Sebastian Bach, Glenn Gould||G Major||3||9B||93 BPM|
|Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace||Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz||E♭ Minor||2||2A||115 BPM|
|Orchestral Suite No. 3 in D Major, BWV 1068: Air||Frank Shipway, Royal Philharmonic Orchestra||D Major||1||10B||78 BPM|
|Overture (Suite) No. 2 In B minor, BWV 1067 : VII. Badinerie||Bach Collegium Japan, Liliko Maeda, Johann Sebastian Bach||B♭ Minor||1||3A||124 BPM|
|Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina)||Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer||B♭ Major||1||6B||103 BPM|
|Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro||Georg Philipp Telemann, Boris Begelman||F♯ Major||4||2B||116 BPM|
|Bach in Miami||MG Electro Bar||F♯ Minor||1||11A||76 BPM|
|Cello Suite No. 1 in G Major, BWV 1007: I. Prélude||Johann Sebastian Bach, Pierre Fournier||G Major||1||9B||137 BPM|
|Concerto for violin and oboe in C Minor, BWV 1060R: III. Allegro||Johann Sebastian Bach, Isabelle Faust, Xenia Löffler, Akademie für Alte Musik Berlin, Bernhard Forck||B Minor||4||10A||120 BPM|