Giuseppe Di Stefano's 'Mandulinata a Napule' came out on April 20, 2015. The duration of Mandulinata a Napule is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Mandulinata a Napule's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Platinum Collection". In this album, this song's track order is #9. In terms of popularity, Mandulinata a Napule is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mandulinata a Napule by Giuseppe Di Stefano having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Angelica E Tancredi | Nino Rota | D♭ Major | 2 | 3B | 81 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
Donizetti: Lucia di Lammermoor, Act III: "Tu che a Dio spiegasti l'ali" | Gaetano Donizetti, Giuseppe Di Stefano, Raffaele Arie, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 89 BPM | ||
Titoli Di Testa / Viaggio A Donnafugata | Nino Rota | A♭ Major | 3 | 4B | 79 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Violino tzigano | Leo Nucci, Salotto Ottocento Ensemble | C Major | 2 | 8B | 47 BPM | ||
Bizet: Carmen, Act 2: "Votre toast, je peux vouz le rendre"/ "Toréador, en garde!" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christian Van Horn, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel Frenkel | F Major | 2 | 7B | 111 BPM |
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