- BPM
- 84
- Key
- A Minor
- Camelot
- 8A
Mass No. 18 in C Minor, K.427: V. Benedictus - Osanna - Wolfgang Amadeus Mozart, Felicity Lott, Edith Wiens, Franz Welser-Möst, Laurence Dale, London Philharmonic Choir, London Philharmonic Orchestra, Robert Lloyd Information
- Acousticness
- 98%
- Danceability
- 35%
- Energy
- 21%
- Instrumentalness
- 2%
- Liveness
- 9%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 32%
- Popularity
- 0%
- Loudness
- -19.288 dB
Summary
Wolfgang Amadeus Mozart, Felicity Lott, Edith Wiens, Franz Welser-Möst, Laurence Dale, London Philharmonic Choir, London Philharmonic Orchestra, Robert Lloyd's 'Mass No. 18 in C Minor, K.427: V. Benedictus - Osanna' came out on May 1, 2021. Mass No. 18 in C Minor, K.427: V. Benedictus - Osanna is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. There is only one song in #nowplaying Mozart, so we believe that "Mass No. 18 in C Minor, K.427: V. Benedictus - Osanna" is a single. Mass No. 18 in C Minor, K.427: V. Benedictus - Osanna is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Mass No. 18 in C Minor, K.427: V. Benedictus - Osanna BPM
The tempo marking of Mass No. 18 in C Minor, K.427: V. Benedictus - Osanna by Wolfgang Amadeus Mozart, Felicity Lott, Edith Wiens, Franz Welser-Möst, Laurence Dale, London Philharmonic Choir, London Philharmonic Orchestra, Robert Lloyd is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Mass No. 18 in C Minor, K.427: V. Benedictus - Osanna Key
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor | Robert Schumann, Anne Gastinel | F Major | 1 | 7B | 104 BPM | |
 | Concerto No. 1 in B-Flat Major, K. 207: III. Presto | Wolfgang Amadeus Mozart, Francesca Dego, Royal Scottish National Orchestra, Sir Roger Norrington | F♯ Minor | 1 | 11A | 88 BPM | |
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 | Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | |
 | Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | |
 | Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | |
 | 3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | |
 | Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.832965612411499
End: 0.8390326499938965