"Orphic Descent - Live" by Robin de Raaff, Netherlands Radio Philharmonic Orchestra, Netherlands Philharmonic Orchestra, Lawrence Renes was released on May 5, 2023. Orphic Descent - Live is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The song is number 2 out of 3 in De Raaff: Orphic Descent (Live) by Robin de Raaff, Netherlands Radio Philharmonic Orchestra, Netherlands Philharmonic Orchestra, Marc Albrecht, Lawrence Renes, Matthias Pintscher. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Orphic Descent - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orphic Descent - Live by Robin de Raaff, Netherlands Radio Philharmonic Orchestra, Netherlands Philharmonic Orchestra, Lawrence Renes is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raaff, Act 2 - Night: Scene 2 | Robin de Raaff, Nieuw Ensemble, Danielle de Niese, Marcel Reijans, Lawrence Renes | F Major | 4 | 7B | 81 BPM | ||
Variations on a theme of Paganini: Var. 14. Alla giga | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: A | Morton Feldman, Ensemble Recherche | D Minor | 0 | 7A | 140 BPM | ||
The Passenger, Op. 97: Vorspiel | Mieczysław Weinberg, Grazer Philharmonisches Orchester, Roland Kluttig | B♭ Major | 1 | 6B | 91 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Bebe a ete sage? (Mama) | Maurice Ravel, Delphine Galou, Orchestre National De Lyon, Leonard Slatkin | A Major | 1 | 11B | 85 BPM | ||
String Quartet No. 9 in E-Flat Major, Op. 117: II. Adagio | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
New Life Piano Sonata, Op. 99: II. Pesante | Fazıl Say | B♭ Major | 1 | 6B | 87 BPM | ||
Messiaen: Éclairs sur l'au-delà...: VI. Les sept anges aux sept trompettes | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM |
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