Carl Nielsen, Elisabeth Westenholz's '6 Humoresque-Bagatelles, Op. 11, FS 22: IV. Spraellemanden' came out on December 31, 1989. With 6 Humoresque-Bagatelles, Op. 11, FS 22: IV. Spraellemanden being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 53 in the song's album "Nielsen: Complete Piano Music". In this album, this song's track order is #13. Based on our statistics, 6 Humoresque-Bagatelles, Op. 11, FS 22: IV. Spraellemanden's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 6 Humoresque-Bagatelles, Op. 11, FS 22: IV. Spraellemanden by Carl Nielsen, Elisabeth Westenholz having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Serenade in C Major, Op. 10: Marcia: Allegro | Ernst von Dohnányi, Spectrum Concerts Berlin | C Major | 1 | 8B | 57 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Variation 3: Con moto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 0 | 8A | 70 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Variations on a Norwegian Folktune, Op. 31: I Fjol gjaett'e Gjeitinn: Andantino | Johan Svendsen, Bournemouth Sinfonietta, Richard Studt | E Major | 1 | 12B | 87 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM | ||
Helios, Op. 17, FS 32: Helios Overture, Op. 17, FS 32 | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | C Major | 1 | 8B | 72 BPM | ||
Fauré / Arr. Auber: Fantaisie, Op. 79 | Gabriel Fauré, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | C Major | 1 | 8B | 75 BPM | ||
Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 97 BPM |
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