"Adagio For Strings, Op. 11: 2. Molto adagio" by Samuel Barber, Emerson String Quartet was released on July 4, 2020. Since Adagio For Strings, Op. 11: 2. Molto adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 63 out of 68 in Barber: An Introduction by Samuel Barber. Adagio For Strings, Op. 11: 2. Molto adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio For Strings, Op. 11: 2. Molto adagio by Samuel Barber, Emerson String Quartet is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Medea Suite, Op. 23: III. The Young Princess. Jason | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 111 BPM | ||
From Jewish Life: I. Prayer (arr. for cello and orchestra) | Anonymous, Ernest Bloch, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | F Minor | 1 | 4A | 90 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Cello Concerto in C Major: II. Grave | Josef Mysliveček, Wendy Warner, Camerata Chicago, Drostan Hall | F Major | 0 | 7B | 89 BPM | ||
String Quartet In D Minor, Op.56 "Voces Intimae": 2. Vivace | Jean Sibelius, Emerson String Quartet | G Major | 2 | 9B | 157 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Satie: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Aldo Ciccolini | G Major | 0 | 9B | 81 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Henning Kraggerud, Bournemouth Symphony Orchestra, Bjarte Engeset | D Major | 2 | 10B | 119 BPM | ||
Piano Quintet in E flat, Op. 44: 1. Allegro brillante | Robert Schumann, Menahem Pressler, Emerson String Quartet | A Major | 2 | 11B | 103 BPM | ||
Piano Quintet in E flat, Op. 44: 2. In modo d'una marcia (Un poco largamente) | Robert Schumann, Menahem Pressler, Emerson String Quartet | F Minor | 0 | 4A | 94 BPM |
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